The Sculptor

On Sunset Strip the lights have dimmed
And silent now their siren’s call.
A fading starlet’s eyes are brimmed
With tears–one more forgotten thrall
Who keeps her locks of platinum trimmed,
Awaits her call to glory,
Lays bare her soul to cheat decay
And rewrite her life’s story.
He sculpts her in immortal clay,
In meadows cold and hoary;
Holds time’s determined march at bay
From fields of faded glory.

Ryan Stone

watermarked2016-11-21-2200

My Love

-blazon after Woloch

My love with her chocolate river of tresses,
Her slow-flowing curls, polished mahogany.
My love with her lips of tequila sunrise
With her milky-skinned sin, spreading wildfire blush.
My love with her hummingbird voice
Her windswept dune song, her soul
strumming hum
My love with her eyes of moonstone and twilight,
Her mysterious eyes of long tide pool shadows
My love with her willow tree frame
With her star-dappled thighs, soft gossamer down.
My love with her lotus bloom tongue,
Her narcotic tongue tracing spirals through midnight,
My love with her deep-desert wellspring,
To which I stumble, broken and parched.

Ryan Stone

Posted at dVerse Poets Pub – Poetics: Sensory Play

watermarked2016-10-24-1313

Breaking Point

Pa, I see you in your shed–
unaware of dusk settling
over your garden, painting
your pink crabapple blossoms
grey. I see you bend, to squint
at some small imperfection
marring the wooden soldier
you’ve spent the whole day carving,
hands slow-dancing to a tune
no-one else can hear. Later
Ma will shake her head, dismiss
your need for perfect contours
and seamless joins as foolish,
not understanding a man,
a soldier or a husband
is only ever as strong
as his weakest part.

Ryan Stone

Dragonflies & Raindrops

It starts with a single languid drop,
beating a hardpan drum.
Cicadas warble a scorched-earth vibrato,
rushing skyward, the long-dry undone.

Rusty tears trickle their bullnose percussion
on verandah iron and brass. While the red dusts
of torment yawn and drink deeply,
thirsty as fire-kissed grass.

My hard-bitten mongrels, in Waratah shade,
flick ears laid unseasonably low.
Drought threatens to claim what Tigers have not.
Limp tails tell tales of woe.

Resembling slender men, brown withered stems
raise limp hands, tattered and burned.
A chorus begins, Magpie trills and woodwind;
life to the outback returned.

Movement staccatos; even dragonflies pause
from their wild tumbles and dips.
A long-absent lover, in the final refrain,
bestows a moist kiss on parched lips.

by Ryan Stone

* Tigers -> the venomous Australian Tiger Snake

Click here for audio

First published in Of Words and Water 2014

image

Mother’s Hands

image
Advertisement for Myers Gloves, by Margaret Watkins (Canada), 1920s.

Mother’s Hands

Strong enough to lift me
each time I couldn’t rise. Soft
as cotton wool, washing
dirt from scrapes and tears
from eyes. Firm enough
to model clay
and boys, to bowls
and men, yet fine
when stroking ivory keys–
Für Elise and Clair de Lune.
They’d curl through each long evening
around her only vice, in a holder
like Audrey’s, that never left her side.
I’m thinking of her hands now–
strong and wild and free; missing
her hands now, as I watch ashes
blow to sea.

Ryan Stone

Written for the 20 poem challenge at Ekphrastic, September 2016.

First published at Ekphrastic, September 2016

Blog at WordPress.com.

Up ↑