Red Shack Triptych

I. Red Shack, White Silence

(His Voice — Then)

We climbed past where the trees give up,
boots sinking through hush and drift,
wind at our backs like a warning
we chose not to hear.
The red shack waited—
tilted, rust-kissed,
half-swallowed by snow.

Inside,
a match struck light against the cold.
One flame,
then another,
until the dark softened
just enough to hold us.

There was one chair.
Two blankets.
The kind of quiet
that lets you hear
your own name
in someone else’s breathing.

We didn’t talk about what waited below.
Not your return flight,
not the half-packed bag,
not the years of almost.
You laughed at the frost
collecting in your lashes.
I didn’t say
how long I’d been watching
that storm coming.

Your knee brushed mine
beneath the blanket.
You didn’t move.
Neither did I.
The silence turned warm
around us.

Outside,
snow piled up against the door—
a kind of mercy.
Inside,
your hand rested near enough
that I could’ve reached it
without asking.

And didn’t.

You slept.
Or pretended to.
And I watched the window
turn from black
to the soft grey
of not yet morning.

Later,
we climbed down
without speaking of it.
The wind had died,
but something else
was already drifting.

Now,
sometimes,
when I smell woodsmoke
or hear the hush of snow
against tin,
I think of that night.

Not with regret.
Not exactly.
Just the ache
of something so nearly true,
it still breathes somewhere
in the white.

II. What the Snow Didn’t Cover

(Her Voice — Then and Now)

We climbed higher than we should have,
past the line where trees
stop pretending to survive.
You didn’t complain once—
just kept pace,
like you’d follow me anywhere.
Maybe that was part of the problem.

The red shack was smaller
than I remembered from the map.
Leaned east,
like it had been bracing against wind
for decades.

Inside,
your hands shook lighting the match.
Not from cold.
I said nothing.
You handed me the flame
like a question.

There was one chair.
Two blankets.
No space for lies.

I pulled the blanket over both of us.
You didn’t move away.
The silence felt
like something we’d been circling
for years.

We didn’t speak
of the train waiting in the valley,
or the person I said I’d marry.
Not of the night you left my flat
before I woke,
not of the letter I never wrote.

Your shoulder touched mine.
Just that.
But it lingered.

I didn’t sleep.
Faked it
because I couldn’t bear the weight
of your eyes on my back,
not if they were saying what
I think they were.

In the morning,
you brewed coffee so quietly
it hurt.

I thanked you.
Too softly,
but you heard.

And we walked down
like the snow hadn’t buried something
between us.

Even now,
when winter presses its fingers
against my windows,
I go quiet.
I remember the warmth
we almost let happen,
the way you never reached for me—
and how I never asked you to.

And I wonder
if love is just
the sum of all the silences
we never dared to break.

III. All That the Snow Kept

(His Voice — Years Later)

You never looked back—
not once—
as we left the shack behind.
But I remember
how your hand brushed mine
that night,
how you didn’t pull away.

And how I didn’t take it.

We both left something
in that red-walled hush.
Not a kiss,
not a promise—
just the warmth
that might have followed.

You were always better
at staying silent.
I was always better
at pretending not to notice
what silence could mean.

There was a moment—
when you shifted in the dark
and the blanket slipped
just enough—
I saw the skin of your back,
pale in the lantern glow,
and I thought
if I speak now,
if I say it—
but I didn’t.

You were leaving.
And I was too late.

Now, sometimes,
I find frost on my window
and think of your breath
fogging the glass
above the sink.
The way we made coffee
like it was something sacred.
The way we left
without needing to say
we’d come closer
than we ever would again.

I don’t regret not touching you.

But I do miss
the man I might’ve become
if I had.

And I hope—
in some quiet room of your life—
you still carry
a small warmth
from that night.

Ryan Stone

Falling Up

You will never fall in love with me.
Don’t try to convince me
That I will always wait for you.
If you really look, you’ll see
I’m not here for the long haul
Don’t imagine
You give me reason to stay.
When things get hard I’ll leave –
Don’t imagine
I’m not like the others,
Goodbye.
I’ll never say
I love you.

(Now read from bottom to top)

Ryan Stone

Click here for audio

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White Dwarf, Fading

It was once the centre of things—
a sun that gave names to shadows,
that warmed the bones of planets
and made time possible.

Now it glows
like memory does—
dim,
but refusing to go out.

There is no explosion.
No final flare.
Only the slow retreat
of light
into ash.

It will cool for billions of years.
Long after the Earth forgets itself,
long after we’ve stopped asking,
this ember will linger—
silent,
alone,
perfect in its endurance.

Not everything beautiful needs an audience.
Some things are simply
what the end looks like
when it takes its time.

Ryan Stone


Wonder Box: White Dwarfs
When a star like our Sun dies, it sheds its outer layers and leaves behind a core—a white dwarf. No longer powered by fusion, it shines only with leftover heat. Over trillions of years, it will cool into a black dwarf: cold, dark, and undetectable. None exist yet. The universe isn’t old enough.


This post is taken directly from my latest poetry chapbook – The Sky Well Fell Through – published this week on Amazon

Whalesong

for the ones who sing into silence

Somewhere below the shimmer line
where light forgets itself,
a whale turns slow in a cathedral of salt—
each scar on her skin
a stanza.

She sings,
not to summon,
not to find—
but to remember.

A song older than shipwrecks.
Older than ropes and sails.

The deep drinks it.
Holds it like breath.
Lets it echo
along trenches where no eyes go,
only ghosts
and pressure
and time without hands.

We used to think it was a beacon,
a call to others.
But not all songs seek ears.
Some are memory
made into sound—
just one creature
telling the dark:
I was here.

Ryan Stone

Tearing Sunshine

Mum moves like rinse water—
warm, grey,
going where she’s poured.
Hands red-raw
from bleach and bones
she can’t scrub clean.
She hums when she’s bone-tired,
not for tune,
just to keep from cracking.

Dad says work is hard—
but only ever sits,
rail grease on his boots,
beer in hand,
trophy beside him:
Highest Goal Scorer,
1983.

He holds it like a wound
that never scabbed.
Says he could’ve been something
if Mum hadn’t—
if I hadn’t—

Doesn’t say the rest.
He just drinks.

Then one day—
a yellow dress.
Hand-me-down.
Sunlight sewn into thread.

Mum steps into the yard
like she’s forgotten
someone might be watching.
Strips to the greying cotton of her
and pulls the yellow on—
slow, soft,
like trying on a life
that didn’t happen.

She twirls once.
Eyes closed.
A ghost of a girl
smiling through the cracks.

Then boots.
The back door slams.
Slut
In a voice like wire.

The dress tears in two directions—
fabric, then her.
She clutches the scraps
to the parts of her
he once loved.

And shrinks.

That night—
beer cans breathing,
trophy glinting
under weak kitchen light.
He slumps.
Mouth open.
Gone.

I take the trophy,
glass warm from his hand.
Step barefoot through bindii
to the path.
Raise it.

It catches moonlight
for a second.
Then gone.

The sound is clean.

I lay the shattered pieces by his chair,
like they fell
when he groped
for the past
and missed.

Ryan Stone

Southern Cross

Some nights,
when the wind shifts
and the silence settles deep,
I step out barefoot
onto the cold veranda.

Above the gum trees—
the Southern Cross,
low and steady,
like it’s waiting for me
to notice.

It doesn’t blaze,
just holds its shape,
a quiet thing
pointing the way
I’ve always known
but needed to remember.

Not a map.
Not a promise.
Just a reminder
that home
isn’t something you reach—
it’s the walking,
the choosing,
the light you carry
when the dark won’t lift.

Ryan Stone

Letter to My Sons

Boys,

When the fire comes—and it will—don’t run.
Stand your ground. Feel the heat. Know what’s worth burning.
Not everything you carry needs to be saved.

You’ll be told to move fast, talk loud, win more.
Don’t listen to that.
The quiet men are the ones you want near when things fall apart.

If your hands shake, that’s fine.
So did mine.
Do the work anyway.

Let yourself be broken by love at least once.
If you’re lucky, it’ll teach you where you end and someone else begins.
But leave them space. Don’t take what isn’t offered. Ever.

When loss comes, don’t try to beat it.
Feel it. Let it hollow you out clean.
Then build something inside the space it left.

The world will try to make you hard.
Let it make you solid instead.
Be unmovable when it counts.
But stay soft in the places that matter—your hands, your eyes, your heart.

People will try to name you.
Let your actions do it first.

Carry stories.
Especially ones that don’t paint you as the hero.
And remember: pain handled right becomes a kind of map.

Look out for each other.
That’s not advice, that’s bedrock,
even when you disagree, especially when you don’t speak.
You’ve always got each other’s back. That’s blood. That’s the deal.

And when no one notices you did the right thing—
good.
That means you’re growing into your name.

I’ll see you on the ridge.
Love,
Dad

Sons

Magpie Morning

Fifty soon.
Strange how that number
feels both heavier and lighter
than expected.

I wake before the house stirs.
Kettle on.
Dogs at my heel—
the old one careful on the tiles,
the young one waiting for the day
like it might break open just for her.

A magpie sings on the powerline,
low and fluted—
not calling,
not warning—
just there.
Like me.

The track behind is long,
marked with all the right things:
mud, fire,
boys with scraped knees and full bellies,
a wife who still sees me
when I go quiet.

The years haven’t made me wise,
but they’ve made me slower to speak,
and better at listening—
especially to my sons,
who keep handing me pieces of myself
I didn’t know I’d dropped.

There is more life to come.
I can feel it humming in the floorboards.
Not louder—
just steadier.

And if this is the halfway mark,
it’s a fine place to pause.
To stand with the sun
not at my back
or in my eyes,
but warming my chest.

The magpie sings again.
Not a beginning,
not an ending—
just the middle of a good song
I still get to hear.

Ryan Stone

Magpie Morning

Coal Town

Birds don’t stop in this town.
I see them fly past, black peppering
blue, going someplace. I’ve given up
dreaming wings. This town
will know my bones. Condoms
sell well in Joe’s corner store – boredom breeds
but breeding’s a trap, a twitch in the smile
of those steel-eyed shrews
who linger late after church.
I walked half a day, out past the salt flats,
after they closed the movie house down. Smoked
the joint she’d brought back from college
when she returned to bury my dad.
I remember how pale her fingers lay
across my father’s hands –
coal miner’s hands, tarred like his lungs;
like this town.

Ryan Stone

First published in Eunoia Review, July 2016.

Winner of the Goodreads Monthly Poetry Contest, August 2016.

First Place in Poetry Nook contest 101, November 2016.

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Days

Sometimes she’s wildfire, burning through the night;
some days she’s a winter storm, ice and fury unleashed.

Sometimes she’s a shadow, neither fully here or really there;
some days she’s untamable, wild as rolling seas.

Sometimes I hold her close, as the world starts coming undone;
some days we fit together and I feel that I belong.

Ryan Stone

Click here for audio

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